At the beginning of the year, interior design trends were set full steam ahead for an Autumn/Winter 2020 season of bold colour and pattern. But then the pandemic happened and stopped us all in our tracks. With all the anxiety and uncertainty, it was almost as if a pastel-sized iceberg crept into our interior psyches reminding us of the calming decorative qualities of pale blues, pinks and greens …
No stone was left unturned this week as I dived in and out of showrooms at The Design Centre for Focus 19. I had the pleasure of attending talks from top interior designers, interviewed creative directors and textile company owners discovering along the way that more than just a handful are several generation family owned. I even managed – on neutral territory – an undercover meeting with the Interior Spy.
Ever since it lost out to ‘blond’ wood in the early 90s trend for Minimalism, interior stylists, journalists and antique dealers have been proclaiming that ‘brown’ (antique furniture) is back. I know, because I have been one of them. For interior designers, who don’t tend to pay huge amounts of attention to trends, the notion that it ever went away is frankly considered a bit of a nonsense.
Where are you on the colour spectrum? Are you more of a neutral Kelly Hoppen fan or perhaps a maximalist colour lover such as Sophie Robinson? A celebration of colour in all its hues is a big interiors trend this Autumn and happens to be the theme of Focus/18 at The Design Centre, Chelsea Harbour in London (16 – 21 September 2018). I am really excited to have been again asked to collaborate on Tissus D’Helene’s window at the centre and the blog is going to share with you some of the ‘backstage’ styling secrets of how it came together…
I keep my eye out for new textile and wallpaper designers and one whose work stood out recently was that of Anna Jeffreys which was showcased by Tissus D’Helene at a press show at The Design Centre Chelsea Harbour. Journalists usually keep their own thoughts to themselves at these events, but there was a little gasp of surprise and delight at Anna’s swatches. Anna’s seriously pretty designs stood out for their fresh colourways which mix traditional motifs with more contemporary flourishes. What makes them difficult to place is that the colour palette particularly doesn’t seem like it comes from a British design stable and that’s what makes them so interesting.
It is extremely fortuitous (jammy even) that when Helen Cormack owner of wallpaper and fabric company Tissus D’Helene asked me to style a Japanese window (at the Design Centre, Chelsea Harbour) that she had chosen a collection of wallpapers in an orange and grey colour palette. Part One of my Marmalade and Slate interiors recipe was well underway as a blog post so it neatly dove-tailed with this trend – just love it when that happens! Continue reading “Tissus D’Helene: Japanese style window display”
When I was approached by Helen Cormack of Tissus D’Helene to style her Chelsea Design Week (12 – 17 March 2017) window display, to say I was excited was an understatement! As dream jobs go, this is right up there. When I styled some features for Homes & Gardens magazine, they often used Helen’s fabrics – and I have always adored them.