‘Staying In’ has offered unexpected positives, one of them is having time to think about what’s important. In these very difficult times, it has been lovely to see so many acts of human kindness and creativity. It has also been inspiring to see the interiors industry getting supportive with webinars and even a new charity aimed at giving NHS heroes, interior designed havens to come home to. I thought I would share with you some of the creative Staying-In inspiration that has caught my eye these past few weeks.
How are you all? I do hope that you and your loved ones are well? This is my first blog post since ‘you know what’. I can’t quite bring myself to mention it because the blog is primarily about sharing interior decorative beauty and will continue to do so. But with the seismic shock that one way or another we have all experienced, the virus has frozen in time everything that happened before March 2020.
Textile design is as much about storytelling as it is about design for me. The storytelling is important because I want to know how the design came about and from whom. When it comes to the plot, the quirkier, the better. Especially when the protagonist has not only worked as a set decorator in the world of film, for at least two of Britain’s most treasured interior brands, but whose debut fabric and wallpaper designs for Lewis & Wood are currently lining the walls of an interior designed shipping container in the Cumbrian Hills.
Watlington is a small Oxfordshire market town that is blessed with that rare species – a thriving independent high street. Nestled amongst farmland at the foot of the Chiltern Hills, it has ‘a butcher, a baker and a candlestick maker’. The butcher is called Tom, the 14-year-old baker (as featured in The Sunday Times) regularly creates queues halfway up the street for her pop-up bread sales, while the candlestick maker has show-stopping designer lighting. Oh, and the town is also about to launch its first Art Week.